There is a particular quality of light in Provence that painters have spent two centuries trying to put on canvas. It is soft in the morning, almost white at midday, and by late afternoon takes on the warm, low gold that turns every village wall the colour of butter and every cypress into a long, slim shadow. Cézanne pursued it from his studio above Aix-en-Provence; Van Gogh chased it through the wheat fields of Saint-Rémy and the cafés of Arles; and Peter Mayle, arriving in Ménerbes in the late 1980s, produced a destination-defining memoir.
Provence certainly feels like the kind of place you want to explore slowly. The day starts simply; breakfast with a view while lunches tend to be more of a longer affair. Wherever you go in Provence, you’ll encounter good French food, accompanied by a chilled bottle of rosé. Afternoons might be spent in the cool of a vaulted abbey, or a slow swim in the green water of a river. Evenings build gently, an aperitif at the kitchen door, dinner on the terrace, the lavender giving up its scent to the cooling air.






